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Library management: find, organize and rename music into particular folders and files based on any combination of audio tag values such as artist, album, track number, or other metadata. MusicBee can be configured to monitor and perform this task automatically for select libraries, while at the same time allowing users to take manual control on ...
Released as free software in 2004 BSD-3-Clause (since OpenMPT 1.17.02.53) / GPL-2.0-or-later, partly public domain: SoundTracker: Yes No Yes No Fast Tracker clone GPL-2.0-or-later: SunVox: Alexander Zolotov Yes Yes Yes Yes Also runs on Windows CE. Proprietary (Music Creation Studio) BSD-3-Clause (Engine) Noise Station: Mark Sheeky No No No Yes ...
There is also FAAC, the same project's encoder, but it is proprietary (but still free of charge). libgsm – Lossy compression ; opencore-amr – Lossy compression (AMR and AMR-WB) liba52 – a free ATSC A/52 stream decoder (AC-3) libdca – a free DTS Coherent Acoustics decoder; Codec2 – Low bitrate compression, primarily voice
This section only includes software, not services. For services programs like Spotify, Pandora, Prime Music, etc. see Comparison of on-demand streaming music services. Likewise, list includes music RSS apps, widgets and software, but for a list of actual feeds, see Comparison of feed aggregators.
Mercury, a language for live-coding algorithmic music. Music Macro Language (MML), often used to produce chiptune music in Japan; MUSIC-N, includes versions I, II, III, IV, IV-B, IV-BF, V, 11, and 360; Nyquist; OpenMusic; Orca (music programming language) [1] Pure Data, a modular visual programming language for signal processing aimed at music ...
FFmpeg is a free and open-source software project consisting of a suite of libraries and programs for handling video, audio, and other multimedia files and streams. At its core is the command-line ffmpeg tool itself, designed for processing video and audio files.
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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.