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The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Death Valley Days is an American old-time radio and television anthology series featuring true accounts of the American Old West, particularly the Death Valley country of southeastern California. Created in 1930 by Ruth Woodman, the program was broadcast on radio until 1945.
The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
In Greek mythology, maenads (/ ˈ m iː n æ d z /; Ancient Greek: μαινάδες) were the female followers of Dionysus and the most significant members of his retinue, the thiasus. Their name, which comes from μαίνομαι ( maínomai , “to rave, to be mad; to rage, to be angry”), [ 1 ] literally translates as 'raving ones'.
Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
Bacchus/ Dionysus returning from ancient India. A legendary account states that when the Greek God Bacchus/Dionysus grew up, he discovered the culture of the vine and the mode of extracting its precious juice, being the first to do so; [1] but Hera struck him with madness, and drove him forth a wanderer through various parts of the earth.
An "unspoken" sparagmos may have been the central element underlying the very genre of Greek tragedy. [1] [2] Maenads and Pentheus, House of the VettiiSparagmos (Ancient Greek: σπαραγμός, from σπαράσσω sparasso, "tear, rend, pull to pieces") is an act of rending, tearing apart, or mangling, [3] usually in a Dionysian context.
The action follows the god Dionysus on his return to the city of Thebes to avenge his mother's reputation and the god's own rejection as the bastard child of Zeus. The title refers to the groups of devoted female followers of the god, who serve as the chorus in the play, and would engage in ecstatic rituals to the point of euphoric delirium ...