Search results
Results from the WOW.Com Content Network
Slowed and reverb (stylized as "slowed + reverb") is a technique of remixing and a subgenre, derived from chopped and screwed hip-hop [12] and vaporwave, [13] which involves slowing down and adding reverb to a previously existing song, often created by using digital audio editors such as Audacity.
A nightcore (also known as sped-up song, sped-up version, sped-up remix, or, simply, sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM.
The EMT 140 plate reverb system. A plate reverb system uses an electromechanical transducer, similar to the driver in a loudspeaker, to create vibrations in a large plate of sheet metal. The plate's motion is picked up by one or more contact microphones whose output is an audio signal that may be added to the original "dry" signal. [3]
Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system ) to make the hits sound powerful and "punchy" while keeping the overall mix sound clean and ...
Slowcore prominently incorporates stylings and traits from indie rock and contemporary folk music. [4] [5] [1] Indie rock is a broad subgenre of rock music that emerged in the 1980s and encapsulates music released independently or through low-budget record labels that typically fails to appeal to mainstream audiences. [6]
"Scud and Nomex tracks like 'Total Destruction' helped create the blueprint for much of breakcore's sound, a high-bpm mash-up of hyperkinetic, post-jungle breaks, feedback, noise, and Jamaican elements paired with a devil-may-care attitude towards sampling that pulls from the broadest musical spectrum of styles (hip-hop, rock, industrial, pop ...
When Andy "Aurican" Kempling released a modified version of the Doom source code that made it possible to record demos in slow motion and in several sessions, it was possible for the first players to start recording tool-assisted demos. In a few months, in June 1999, Finnish Esko Koskimaa, Swedish Peo Sjöblom, and Israeli Yonatan Donner opened ...
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...