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The photographs were parodied in a 1994 book written by Terry Jones and Brian Froud, Lady Cottington's Pressed Fairy Book. [45] In A. J. Elwood's 2021 novel, The Cottingley Cuckoo, a series of letters were written soon after the Cottingley fairy photographs were published claiming further sightings of fairies and proof of their existence. [46]
The Gwragedd Annwn dressed in green. They appear to be the only type of fairy capable of crossing from the lower world, led by the fairy king Gwyn ap Nudd, to the upper world, where regular human beings dwell. They are most likely to be found near lakes that in isolated, or in mountainous areas. [2]
Nevertheless, "fairy" has come to be used as a kind of umbrella term in folklore studies, grouping comparable types of supernatural creatures since at least the 1970s. [1] The following list is a collection of individual traditions which have been grouped under the "fairy" moniker in the citation given.
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature, generally described as anthropomorphic, found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, and French folklore), a form of spirit, often with metaphysical, supernatural, or preternatural qualities.
Fairy painting is a genre of painting and illustration featuring fairies and fairy tale settings, often with extreme attention to detail. The genre is most closely associated with Victorian painting in the United Kingdom but has experienced a contemporary revival. Moreover, fairy painting was also seen as escapism for Victorians.
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The Quarrel of Oberon and Titania is an oil on canvas painting by the Scottish artist Sir Joseph Noel Paton.Painted in 1849, it depicts the scene from William Shakespeare's comedy play A Midsummer Night's Dream, when the fairy queen Titania and fairy king Oberon quarrel; Oberon was considered the King of the fairies in medieval and Renaissance literature.
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