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Owen's book Sir Francis Bacon's Cipher Story (1893-5) stated that Queen Elizabeth I was secretly married to Robert Dudley, Earl of Leicester, who fathered both Bacon and Robert Devereux, 2nd Earl of Essex, later ruthlessly executed by his own mother. [5] This was the basis for what became known as Prince Tudor theory. This secret history of the ...
Francis Bacon, 1st Viscount St Alban, [a] 1st Baron Verulam, PC (/ ˈ b eɪ k ən /; [5] 22 January 1561 – 9 April 1626) was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England under King James I.
"Champagne for my real friends, real pain for my sham friends" is a pun in the form of an antimetabole.It is recorded as a toast dating to at least the nineteenth century, [1] though it is often mistakenly attributed to the Irish painter Francis Bacon [2] (1909–1992) or the American musician Tom Waits (born 1949).
Idola fori (singular Idolum fori), sometimes translated as "Idols of the Market Place" or "Idols of the Forum", are a category of logical fallacy which results from the imperfect correspondences between the word definitions in natural language, and the real things in nature which these words represent.
Sir Francis Bacon by Paul van Somer I (1617), Palace on the Isle in Warsaw.. Paul van Somer (c. 1577 – 1621), also known as Paulus van Somer, was a Flemish artist who arrived in England from Antwerp during the reign of King James I of England and became one of the leading painters of the royal court.
Francis Bacon, 1st Viscount St Alban, KC (22 January 1561 – 9 April 1626) was an English philosopher, statesman, scientist, lawyer, jurist, author, and pioneer of the scientific method. He served both as Attorney General and Lord Chancellor of England. Although his political career ended in disgrace, he remained extremely influential through ...
Salomon's House (or Solomon's House) is a fictional institution in Sir Francis Bacon's utopian work New Atlantis, published in English in 1777 [citation needed], years after Bacon's death. In this work, Bacon portrays a vision of the future of human discovery and knowledge.
Bacon states that the Idols of the Tribe "take their rise either from the homogeneity of the substance of the human spirit, or from its preoccupation, or from its narrowness, or from its restless motion, or from an infusion of the affections, or from the incompetency of the senses, or from the mode of impression". [9]