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Leonard Bernstein's Sonata for Clarinet and Piano, [1] written during 1941–42 and published in 1942, was Bernstein's first published piece. [2] It is dedicated to clarinetist David Oppenheim , whom Bernstein met while studying conducting with Serge Koussevitzky at Tanglewood during the summers of 1940 and 1941.
Unlike a standard piano trio or a concerto, there is no standard form for a composition for a clarinet–violin–piano trio: a piece can have any number of movements. Acoustically, the choice of a clarinet, violin, and piano is characteristic in that most chamber music (and most music in general) contains high ( soprano ), mid-range ( alto ...
Sergei Prokofiev: Sonata for Clarinet and Piano, Op.94 (1943), originally for flute, also arranged for violin; Mario Castelnuovo-Tedesco: Sonata for Clarinet and Piano, Op. 128 (1945) Nino Rota: Sonata in D major for Clarinet and Piano (1945) Mieczysław Weinberg: Sonata for Clarinet and Piano, Op. 28 (1945) Herbert Howells: Clarinet Sonata ...
The Three Miniatures were composed when Penderecki was only 23 and still a music student. They were dedicated to Władysław Kosieradzki, who was the clarinet professor at the Academy of Music in Kraków, [2] and were premiered by the dedicatée at the clarinet and Zbigniew Jeżewski at the piano in the 1958 Polish Composers' Union concert, which took place in November 17. [3]
First page of the autograph manuscript of the Kegelstatt Trio for clarinet, viola and piano by Mozart. A clarinet–viola–piano trio, often titled "Trio for Clarinet, Viola and Piano" is a work of chamber music that is scored for clarinet, viola, and piano; or is the designation for a musical ensemble of a group of three musicians playing these instruments.
Contrasts (Sz. 111, BB 116) is a 1938 composition scored for clarinet–violin–piano trio by Béla Bartók (1881–1945). It is based on Hungarian and Romanian dance melodies and has three movements with a combined duration of 17–20 minutes.
The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA thesis). Ohio State University. Mala, Defrim (2019). The music avangard Jörg Widmann and an analyse on his main work "The Fantasie for Clarinet Solo" (Master's thesis).
The finale opens in a ragtime for clarinet and piano, after which the string trio responds. At the end, material of the opening movement reoccurs, in cyclicism typical for the late romantic period. At the end, material of the opening movement reoccurs, in cyclicism typical for the late romantic period.
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