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German-occupied Europe at the height of the Axis conquests in 1942 Gaue, Reichsgaue and other administrative divisions of Germany proper in January 1944. According to the Treaty of Versailles, the Territory of the Saar Basin was split from Germany for at least 15 years. In 1935, the Saarland rejoined Germany in a lawful way after a plebiscite.
When Tiefland was eventually shot, between 1940 and 1944, it was done in black and white, and was the third most expensive film produced in Nazi Germany. [35] During the filming of Tiefland, Riefenstahl utilized Romani from internment camps for extras, who were severely mistreated on set, and when the filming completed they were sent to the ...
De jure administrative divisions of Nazi Germany in 1944 Länder (states) of Weimar Germany, 1919–1937. Map of NS administrative division in 1944 Gaue of the Nazi Party in 1926, 1928, 1933, 1937, 1939 and 1943. The Gaue (singular: Gau) were the main administrative divisions of Nazi Germany from 1934 to 1945.
NSDAP administrative units, 1944 Map of Nazi Germany with Reichsgaue highlighted A Reichsgau (plural Reichsgaue ) was an administrative subdivision created in a number of areas annexed by Nazi Germany between 1938 and 1945.
Propagandistic demonstration of the Führerprinzip of Nazi Germany. [1] 1937: Alles Leben ist Kampf: All Life is Struggle: 27 min: Documentary short film: Herbert Gerdes W. Hüttig: 1937: Opfer der Vergangenheit: Die Sünde wider Blut und Rasse: Victims of the Past: The Sin against Blood and Race: 25 min: Documentary short film: Gernot Bock ...
The failed Ardennes Offensive (16 December 1944 – 25 January 1945) was the last major German offensive on the western front, and Soviet forces entered Germany on 27 January. [139] Hitler's refusal to admit defeat and his insistence that the war be fought to the last man led to unnecessary death and destruction in the war's closing months. [ 140 ]
Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister , Joseph Goebbels , used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination ...
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...