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[2] [3] They created large window for St Stephen Coleman Street, London. [2] James Henry Nixon worked on the restoration of the fa amous medieval stained glass at St. Neots in Cornwall as early as 1829. [4] The firm became a favourite of Charles Winston, which helped them gain prestigious commissions like the east window of Lincoln Cathedral. [5]
Harrison modeled the 80-foot-tall (24 m) building after the Kaiser Wilhelm Tower in Berlin, Germany - a 100-foot (30 m) faceted glass tower composed of deep blue faceted glass. Harrison's cornerless serpentine shaped Hall of Science is made up of 5,400 coffers , each 2 feet (0.61 m) wide and 3 feet (0.91 m) tall.
Detail, East window, St Peter's, Burnham Caricature of John Richard Clayton [2]. In the 1850s a number of young designers worked in conjunction with the Gothic Revival architects in the provision of stained glass for new churches and for the restoration of old.
Guler's rich colors were achieved by hand-painting sections of glass (from France, Germany and the US) with glass paints: ground glass mixed with iron oxide, yellow stain and other colorants; then firing the painted glass in a kiln. Windows made with this detailed painting are known as Munich-style stained-glass, or Munich windows. [3]
Hardman & Co., otherwise John Hardman Trading Co., Ltd., founded 1838, began manufacturing stained glass in 1844 and became one of the world's leading manufacturers of stained glass and ecclesiastical fittings. After the doors closed at Lightwoods Park Justin Hardman, a descendant of John Hardman kept the heart of the studio alive and with the ...
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass , the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
This is a list of the stained glass works of Christopher Whall (1849–1924) in cathedrals and minsters, reflecting Whall's intent to reflect the inspiration of nature in this art. To experience the Lady Chapel is rather like being inside a great jewelled casket, for the glazing combines a profusion of deep, vibrant colours with a sparkling ...
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
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