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The film stars Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Tadanobu Asano, Michiel Huisman, Miyavi, and Jun Kunimura. The film follows Kate (Winstead), an assassin, whose mentor and handler (Harrelson) assigns her to kill a high-ranking yakuza boss. During Kate's final mission, she finds out that she has been poisoned and has at ...
Woodrow Tracy Harrelson (born July 23, 1961) is an American actor. He first became known for his role as bartender Woody Boyd on the NBC sitcom Cheers (1985–1993), for which he won a Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series from five nominations.
Kelly Kamalelehua Smith (October 13, 1962 – July 12, 2020), known professionally as Kelly Preston, was an American actress.She appeared in more than 60 television and film productions, including Mischief (1985), Twins (1988), Jerry Maguire (1996), and For Love of the Game (1999).
Paramount+ has unveiled the official trailer for the upcoming Star Trek spinoff movie — premiering Friday, Jan. 24, 2025 on the streamer — with Oscar winner Michelle Yeoh reprising her ...
Panabaker volunteers for multiple organizations including the Art of Elysium, UNICEF, and Young Storytellers Foundation. [19] In May and June 2019, Panabaker, DC Comics co-publisher Jim Lee, writer Tom King, and fellow CW series actresses Nafessa Williams and Candice Patton toured five U.S. military bases in Kuwait with the United Service Organizations (USO), where they visited the ...
Joe is the son of famous opera singer Caterina Silveri. While he believes that Caterina's husband, Douglas Winter, is his biological father, the truth is that Joe was sired by Caterina's former lover Giuseppe, who is now living in Italy and working as a schoolteacher.
At the center of Star Trek: Section 31 is Michelle Yeoh.Everything else within the first Trek film of the Paramount+ era orbits around her. The visuals, the camera work, the colors of the costumes ...
Somewhere in here is a message about the importance of remaining sexy and vital in your 40s—about asserting your own identity once more after decades of being defined as someone's wife and someone's mother." [7] In a review for Grantland, Wesley Morris called the film "an enjoyably shallow movie." [8]