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Wool fabrics were available in a wide range of qualities, from rough undyed cloth to fine, dense broadcloth with a velvety nap; high-value broadcloth was a backbone of the English economy and was exported throughout Europe. [68] Wool fabrics were dyed in rich colours, notably reds, greens, golds, and blues. [61]
Whole-cloth quilt, 18th century, Netherlands.Textile made in India. In Europe, quilting appears to have been introduced by Crusaders in the 12th century (Colby 1971) in the form of the aketon or gambeson, a quilted garment worn under armour which later developed into the doublet, which remained an essential part of fashionable men's clothing for 300 years until the early 1600s.
American artist Judy Chicago stated in a 1981 interview that were it not for sexism in the visual arts, the art world, and broader society, quilting would be more widely regarded as a form of high art: [25] Abstract patterns by men are "art"; abstract patterns by women in fabric are "decorative"; they're called quilts.
The Creation of Color in Eighteenth-century Europe. Columbia University Press. Watt, James C.Y.; Wardwell, Anne E. (1997). When silk was gold: Central Asian and Chinese textiles. New York: The Metropolitan Museum of Art. ISBN 978-0870998256.
Embroidery was an important art and signified social status in the Medieval Islamic world as well. The 17th-century Turkish traveler Evliya Çelebi called it the "craft of the two hands". In cities such as Damascus , Cairo and Istanbul , embroidery was visible on handkerchiefs , uniforms, flags, calligraphy , shoes, robes , tunics, horse ...
Only recently has the art world begun to recognize weaving as an art form and to exhibit woven articles as art objects. Exhibitions of large scope have been organized to affirm the importance of textiles in the art historical canon, such as the Museum of Contemporary Art, Los Angeles' With Pleasure: Pattern and Decoration in American Art 1972 ...
The woven fabric portion of the textile industry grew out of the Industrial Revolution in the 18th century as mass production of yarn and cloth became a mainstream industry. [7] In 1734 in Bury, Lancashire John Kay invented the flying shuttle — one of the first of a series of inventions associated with the cotton woven fabric industry.
In 1700, the Italians were the most technologically advanced throwsters in Europe and had developed two machines capable of winding the silk onto bobbins while putting a twist in the thread. They called the throwing machine, a filatoio, and called the doubler, a torcitoio. There is an illustration of a circular hand-powered throwing machine ...