Search results
Results from the WOW.Com Content Network
In Greek mythology, Elpis (Ancient Greek: Ἐλπίς, romanized: Elpis, lit. 'hope') is the minor goddess of hope, about which the Greeks had ambivalent feelings. She was never the centre of a cult, as was Spes, her Roman equivalent, and was chiefly the subject of ambiguous Greek aetiological myths.
In Greek mythology, Prometheus (/ p r ə ˈ m iː θ i ə s /; Ancient Greek: Προμηθεύς, [promɛːtʰéu̯s], possibly meaning "forethought") [1] is one of the Titans and a god of fire. [2] Prometheus is best known for defying the Olympian gods by taking fire from them and giving it to humanity in the form of technology, knowledge and ...
God of mortality and father of Prometheus, Epimetheus, Menoetius, and Atlas. Mνημοσύνη (Mnēmosýnē) Mnemosyne: Goddess of memory and remembrance, and mother of the Nine Muses. Ὠκεανός (Ōceanós) Oceanus: God of the all-encircling river Oceans around the Earth, the fount of all the Earth's fresh-water. Φοίβη (Phoíbē) Phoebe
In Christianity and in the New Testament, pistis is typically translated as "faith". The word is mentioned together with such other personifications as Elpis (Hope), sophrosyne (Prudence), and the Charites, who were all associated with honesty and harmony among people. [1] Her Roman equivalent was Fides, a personified concept significant in ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Harpocrates (Ancient Greek: Ἁρποκράτης, Phoenician: 𐤇𐤓𐤐𐤊𐤓𐤈, [1] romanized: ḥrpkrṭ, Coptic: ϩⲁⲣⲡⲟⲕⲣⲁⲧⲏⲥ harpokratēs) is the god of silence, secrets and confidentiality in the Hellenistic religion developed in Ptolemaic Alexandria (and also an embodiment of hope, according to Plutarch).
An example is John Milton's Paradise Lost, an "epic elaboration of the Judeo-Christian mythology" and also a "veritable encyclopedia of myths from the Greek and Roman tradition". [ 166 ] According to Cynthia Stewart, during the Reformation, the Protestant reformers used "the founding myths of Christianity" to critique the church of their time.
The play depicts a mock descent to the underworld by the god Dionysus to bring back one of the dead tragic playwrights in the hope of restoring Athenian theater to its former glory. Pluto is a silent presence onstage for about 600 lines presiding over a contest among the tragedians, then announces that the winner has the privilege of returning ...