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Brooch designs were many and varied: geometric decoration, intricate patterns, abstract designs from nature, bird motifs and running scrolls. [8] Zoomorphic ornamentation was a common element during this period, in Anglo-Saxon England as well as in Europe.
In these, the design of the pin head typically shows that the pin is intended to sit underneath the ring (seen from the front), rather than on top of it as in the larger brooches. [ 11 ] "Celtic" is a term avoided by specialists in describing objects, and especially artistic styles, of the Early Middle Ages from the British Isles, but is firmly ...
The thistle brooch is a simpler version of the penannular brooch, with less surface decoration, which gained popularity around 1100. The thistle is the national flower of Scotland and acts as an emblem. Today, thistle brooches are often made of silver and contain a thistle motif, and are not necessarily a penannular brooch. [citation needed]
Ædwen's brooch (also known as Sutton brooch, British Museum 1951,10-11,1) is an early 11th-century Anglo-Scandinavian silver disc brooch with an inscription on the reverse side. It was discovered in 1694 during the ploughing of a field in Sutton , Isle of Ely , Cambridgeshire , along with a hoard including coins and gold rings.
In addition to basic forms of personal jewelry such as rings, necklaces, bracelets, and brooches that remain in use today, medieval jewelry often includes a range of other forms less often found in modern jewelry, such as fittings and fasteners for clothes including, buckles, "points" for the end of laces, and buttons by the end of the period ...
The Tara brooch was likely made for a High King of Ireland or a dignitary or cleric, probably from the Kingdom of Brega, a branch of the Uí Néills, who ruled over much of today's Leinster. The owner would have worn it on ceremonial occasions. [7] [8] Gilt and silver zoomorphic brooches were status symbols in Early Medieval Ireland
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