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"For the beauty of the earth" is a sacred choral composition by John Rutter, a setting of the hymn of the same name by Folliott S. Pierpoint. The work was published by Oxford University Press in 1980. Recorded several times, it has been described as "one of Rutter's more popular, enduring anthems". [1]
La Canzona refrigerativa dell arpa di Davide (David's Refreshing Harp Song), for cello & harp (1999) Sofia Gubaidulina. Garden of Joy and Sorrow, for harp, flute and viola; Lou Harrison. The Perilous Chapel, for harp, flute, cello and percussion (1948) Patrick Hawes. Earth Rise (2011) for harp and oboe; Reflexionem (2006) for harp and cello ...
Dynamically, the music begins softly (p), growing slightly (to mp) for the "shining stars", and again later for "moon and stars". A climax is "Christ", marked crescendo to a strong (f) "light of the world" (with all voices holding the word "light" for more than a measure), but diminuendo to a very soft ending, with all voices and the ...
The "Shamrock model folk harp" has 34 strings. It stands 55 inches (140 cm) tall with its legs. The legs can be removed so the player can hold the instrument lap—style on the knees. It weighs about 10 kilograms (22 lb). It features Celtic designs on the soundboard. An Irish or folk harp player is sometimes called a harper rather than harpist.
Hoberg was born in 1890 in Terre Haute, Indiana. [4] She began performing publicly on the piano in Terre Haute when she was twelve years old. She studied music for one year in Berlin, two years in Paris, and in New York City, where she gave concerts of her compositions and worked as an organist. [5]
Some are shown vomiting or excreting, others are crucified by harp and lute, in an allegory of music, thus sharpening the contrast between pleasure and torture. A choir sings from a score inscribed on a pair of buttocks, [ 42 ] part of a group that has been described as the "Musicians' Hell".
Playing a harpejji. The harpejji (/ h ɑːr ˈ p ɛ dʒ iː / har-PEJ-ee) [1] is an electric stringed musical instrument developed in 2007 by American audio engineer Tim Meeks. [2] [3] It has been described by its manufacturer as a cross between a piano and a guitar, [1] [4] and by Jacob Collier as a cross between an accordion and a pedal steel guitar. [5]
Woods’ first book, Teach Yourself to Play the Folk Harp, is perhaps the best-known tutor for lever harp, and has been the introduction to harp playing for thousands of musicians. She has since published more than 80 books and sheet music arrangements for the Celtic harp, encompassing a wide variety of musical styles from folk to classical to pop.
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