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Trudy Richards (1920–2008) Harry Richman (1895–1972) June Richmond (1915–1962) Mavis Rivers (1929–1992) Ane Carmen Roggen (born 1978) Ida Roggen (born 1978) Live Maria Roggen (born 1970) Linda Ronstadt (born 1946) Annie Ross (1930–2020) Elin Rosseland (born 1959) Marita Røstad (born 1978) Dennis Rowland (born 1948) Vanessa Rubin ...
The most famous jazz versions were recorded by Benny Goodman in 1936 and 1947. [91] Fletcher Henderson played it in 1934 in the Harlem Opera House as the "national anthem of Harlem". [92] "Softly, As in a Morning Sunrise" [46] [93] is a song from the Broadway show The New Moon, composed by Sigmund Romberg with lyrics by Oscar Hammerstein II.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. Do not enter names that lack articles. Do not enter names that lack sources.
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, bandleader, and composer. [1] [2] Parker was a highly influential soloist and leading figure in the development of bebop, [3] a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.
In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive Arnold Shaw wrote in 1989 that "1924 was a 'hot' year in jazz...", [19] a columnist for The New York Times wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the ...