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“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [3] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
Alberta Hunter (April 1, 1895 – October 17, 1984) was an American jazz and blues singer and songwriter from the early 1920s to the late 1950s. [ 1 ] [ 2 ] [ 3 ] After twenty years of working as a nurse, Hunter resumed her singing career in 1977.
ISBN 978-1-57647-120-3. Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2002). All Music Guide to Jazz: The Definitive Guide to Jazz Music. Backbeat Books. ISBN 978-0-87930-717-2. Brooks, Tim; Spottswood, Richard Keith (2004). Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919. University of Illinois Press.
Historian Kathy J. Ogren wrote that, by the 1920s, jazz had become the "dominant influence on America's popular music generally" [61] Scott DeVeaux argues that a standard history of jazz has emerged such that: "After an obligatory nod to African origins and ragtime antecedents, the music is shown to move through a succession of styles or ...
1 – Milt Jackson, American vibraphonist (died 1999). 7 – Paul Weeden, American-born Norwegian jazz guitarist (died 2011) [3] 8 – Bobby Tucker, American pianist and arranger (died 2008). 11 – Osie Johnson, American drummer, arranger and singer (died 1966). 12 – Tito Alberti, Argentine drummer (died 2009).
Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.
Almost every jazz history depicts Kansas City jazz as a fertile ground for the development of big bands, virtuosic performances, and legendary performers. [3] In the 1920s was a Great Migration from the south and the search for musical work in Kansas City, Missouri, [ 4 ] where the Black population rose from 23,500 to 42,000 between 1912 and 1940.
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