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Since the late nineteenth century and beyond, with the development of 'the arts' as a cultural concept, the debate about art and morality has intensified, with the ever more challenging activities of artists becoming targets for those who see art as an influence for bad or good, and it has been a mainstay of many art critics' negative reviews.
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University.He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action.
Allegory with a portrait of a Venetian senator (Allegory of the morality of earthly things), attributed to Tintoretto, 1585 Morality (from Latin moralitas 'manner, character, proper behavior') is the categorization of intentions, decisions and actions into those that are proper, or right, and those that are improper, or wrong. [1]
In order to have moral character, we must understand what contributes to our overall good and have our spirited and appetitive desires educated properly, so that they can agree with the guidance provided by the rational part of the soul. According to Plato, Moral Character is directly linked to and understanding contributions to the overall good.
Constance and Fortitude in Vienna.Early modern statues with classical iconography.. Personification as an artistic device is easier to discuss when belief in the personification as an actual spiritual being has died down; [13] this seems to have happened in the ancient Graeco-Roman world, probably even before Christianisation. [14]
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson is a 1990 work about sexual decadence in Western literature and the visual arts by scholar Camille Paglia, in which she addresses major artists and writers such as Donatello, Sandro Botticelli, Leonardo da Vinci, Edmund Spenser, William Shakespeare, Johann Wolfgang von Goethe, Samuel Taylor Coleridge, Lord Byron, Emily ...
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
Kant begins from common-sense moral reason and shows by analysis the supreme moral law that must be its principle. He then argues that the supreme moral law in fact obligates us. The book is famously difficult, [citation needed] and it is partly because of this that Kant later, in 1788, decided to publish the Critique of Practical Reason.