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The middle Baroque period in Italy is defined by the emergence of the vocal styles of cantata, oratorio, and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to one of equality with the words, which formerly had been regarded as pre-eminent. The florid, coloratura monody of the early Baroque ...
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
Prehistoric music encompasses that music which existed prior to any historical record. Ancient music extended from approximately 1500 BCE until the fall of Rome in 476 CE. Modernist, and Postmodernist music have been tacitly combined under the 20th century banner as defined by the calendar. However postmodernist music constitutes a separate era ...
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).
Musical literature has also defined the succeeding period (covering music from approximately 1580 to 1750) as the era of "Baroque music". [58] It is in the late-16th to early-17th-century overlap of these periods that much of Monteverdi's creativity flourished; he stands as a transitional figure between the Renaissance and the Baroque .
Barbara Strozzi (also called Barbara Valle; baptised 6 August 1619 – 11 November 1677) was an Italian composer and singer of the Baroque Period.During her lifetime, Strozzi published eight volumes of her own music, and had more secular music in print than any other composer of the era. [1]
Heinrich Schütz (German:; 18 October [O.S. 8 October] 1585 [1] – 6 November 1672 [2]) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.
The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Molière in France; and Lope de Vega and Pedro Calderón de la Barca in Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet.