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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [2] mesto Mournful, sad meter or metre The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature , in which the note B natural is named H and the B flat named B , it forms Johann Sebastian Bach 's family name .
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at middle C is called the "small" octave. Notes in it are written as lower case letters, so middle C itself is written c in Helmholtz ...
Note: [1] [2 This article contains uncommon Unicode characters. Without proper rendering support , you may see question marks, boxes, or other symbols instead of the intended characters.
F ♭, C ♭, E ♯, B ♯, and most notes inflected by double-flats and double-sharps correspond in pitch with natural notes but are regarded as enharmonic equivalents of the natural note. The natural sign is derived from a square b used to denote B ♮ in medieval music (in contrast with the round b denoting B ♭ , which became the flat symbol).
In discussing three-note slides, Türk states that the character of the slide is wholly dependent on the mood of the music: a lively work will suggest a fast slide, and a "sorrowful" work will be the appropriate place for a slower decoration. [11] He states that the three-note slide is used primarily on the strong beat.