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In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
Like F-sharp major, G-flat major is rarely chosen as the main key for orchestral works. It is more often used as a main key for piano works, such as the impromptus of Chopin and Schubert . It is the predominant key of Maurice Ravel 's Introduction and Allegro for harp, flute, clarinet and string quartet , and is also used in the second movement ...
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
Though it is called a major scale, it is typically played over a C13 (♭ 9) (♯ 11) (also F ♯ major over C) dominant chord. [2] This is an enharmonic mode of B Harmonic Minor (A# & C# in B Harmonic Minor, Bb & Db in C Romanian Major), along with D Harmonic Major (C# in G Harmonic Major, Db in C Romanian Major).
Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, Contrastes, instead became the closing movement of the fantasia. Both works were also intended initially as more ...
The final pages of A World Requiem by John Foulds are written in G-sharp major with its correct key signature shown in the vocal score including the F. The key signature is shown as in the LilyPond example with the scale above, starting with the C ♯ and ending at the F (C ♯, G ♯, D ♯, A ♯, E ♯, B ♯, F). [2]
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G ♭ is a major third below B ♭, whereas F ♯ is a major third above D (a minor third below A). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the G ♭ semitone is approximately 369.994 Hz. [1] See musical pitch for a discussion of historical variations in frequency.