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A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional works. [1] The following list labels some of these stereotypes and provides examples. Some character archetypes, the more universal foundations of fictional characters, are also listed.
This stock character provides pathos as yet another counterpoint to the plays' comic business and royal pomp." [8] Tara Brabazon discusses how the "school ma'am on the colonial frontier has been a stock character of literature and film in Australia and the United States. She is an ideal foil for the ill mannered, uncivilised hero.
The shrew – an unpleasant, ill-tempered woman characterised by scolding, nagging, and aggression [1] – is a comedic, stock character in literature and folklore, both Western and Eastern. [2] The theme is illustrated in Shakespeare's play The Taming of the Shrew.
The fool is a stock character in creative works (literature, film, etc.) and folklore. There are several distinct, although overlapping, categories of fool: simpleton fool, wise fool, and serendipitous fool. The six volume Motif-Index of Folk-Literature contains (in volume four) a group of motifs under the category "Fools (and other unwise ...
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The trickster is a common stock character in folklore and popular culture. A clever, mischievous person or creature, the trickster achieves goals through the use of trickery. A trickster may trick others simply for amusement or for survival in a dangerous world. The trickster could be a personification of the chaos that the world needs to function.
Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge, the protagonist of A Christmas Carol by Charles Dickens. At the start of the story, he is a bitter miser, but by the end of the tale, he ...
John Wilmot, the most infamous of the Restoration rakes. The defining period of the rake was at the court of Charles II in the late seventeenth century. Dubbed the "Merry Gang" by poet Andrew Marvell, their members included King Charles himself, George Villiers, John Wilmot, Charles Sedley, Charles Sackville, and playwrights William Wycherley and George Etherege. [5]