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The song was first published in 1719 in Watts' collection The Psalms of David: Imitated in the Language of the New Testament, and applied to the Christian State and Worship. [2] The paraphrase is Watts' Christological interpretation. Consequently, he does not emphasize with equal weight the various themes of Psalm 98.
In 1906 the British composer Ralph Vaughan Williams set the words to a melody taken from the traditional song "Our Captain Cried All Hands" which he collected in the hamlet of Monk's Gate in West Sussex – hence the name of "Monks Gate" by which the melody is referred to in hymn books. [2] The hymn is also been sung to the melody "Moab" (John ...
The Book of Common Praise: being the hymn book of The Church of England in Canada: 1939: 805 Hymns Ancient & Modern, Revised: 1950: 579 Songs of Praise for Schools: 1957: 49 Church Hymnal, Fourth Edition: 1960: 312 Hymns Ancient & Modern, New Standard Edition: 1983: 295 Common Praise: A new edition of Hymns Ancient and Modern: 2000: 355 Church ...
Young People's Luther League Convention Song Book [331] [332] The Parish School Hymnal (1926) [333] [334] The Primary Hymn Book, Hymns and Songs for Little Children (1936) [335] United Lutheran Church in America. Common Service Book of the Lutheran Church with Hymnal (1917) [286] Hymnal for the Sunday School (1922) [336]
It is the College song for St. Stephen's College, Delhi. It is also the School hymn for King Edward VI School, Southampton, which Isaac Watts himself attended, and the peal of the Southampton Civic Centre clock tower. Alan Hovhaness set the text to new music in his choral & organ work O God our help in ages past. [6]
Several international hymns were also selected, including Spanish, Asian and American Indian hymns, as well as Black spirituals. [3] Duke Ellington's "Come Sunday" was also included. [3] In compositions by John Wesley, many of the lyrical changes made by his brother Charles were reverted, and most uses of "thee" were replaced with "you". [2]
Source [2]. John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing a solo verse in order to correspond with the three kings. [3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing. [4]
hymn tune in F, choir and organ, pub. 1896 as Drakes Broughton in Westminster Hymnal, and Parish Hymn Book (Nos. 189/190), also used in Nursery Suite (Aubade) — Francis Stanfield: Cary 1878 "If She Love Me" (Temple Bar Rondeau) song: voice and piano — — MS 1878: Minuet in G minor: orchestral: minuet for Powick Asylum band: