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Ang Pasko ay Sumapit ( Tagalog) [ 4] Ang Pasko Ay Sumapit/Kasadya ni'ng Táknaa (Bilingual) [ 1] Christmas Has Arrived (English) [ 1] Kasadya ni'ng Táknaa. Dapit sa kahimayaan. Mao ray among nakita, Ang panagway nga masanagon. Buláhan ug buláhan. Ang tagbaláy nga giawitan.
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Anito, whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
Ancestral spirits who guide their descendants are believed to reside throughout the mountain. Indigenous Philippine folk religions are the distinct native religions of various ethnic groups in the Philippines, where most follow belief systems in line with animism. Generally, these Indigenous folk religions are referred to as Anito or Anitism or ...
According to the early Spanish missionaries, the Tagalog people believed in a creator-god named Bathala, [ 2] whom they referred to both as maylicha (creator; lit. "actor of creation") and maycapal (lord, or almighty; lit. "actor of power"). Loarca and Chirino reported that in some places, this creator god was called Molaiari (Malyari) or ...
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving ...
—Linda Ronstadt Establishing her professional career in the mid-1960s at the forefront of California's emerging folk rock and country rock movements – genres which defined post-1960s rock music – Ronstadt joined forces with Bobby Kimmel and Kenny Edwards and became the lead singer of a folk-rock trio, the Stone Poneys. Later, as a solo artist, she released Hand Sown... Home Grown in 1969 ...
Contemporary worship music (CWM), also known as praise and worship music, [1] is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band ...