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Works of Stephen Sondheim. Stephen Sondheim was an American composer and lyricist whose most acclaimed works include A Funny Thing Happened on the Way to the Forum (1962), Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd: The Demon Barber of Fleet Street (1979), Sunday in the Park with George (1984), and Into the Woods ...
Stephen Joshua Sondheim (/ ˈsɒndhaɪm /; March 22, 1930 – November 26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. [1]
L. The Ladies Who Lunch (song) Last Midnight. Let Me Entertain You (Gypsy) A Little Priest. Losing My Mind. Loving You (Barbra Streisand song)
Send In the Clowns. " Send In the Clowns " is a song written by Stephen Sondheim for the 1973 musical A Little Night Music, an adaptation of Ingmar Bergman 's 1955 film Smiles of a Summer Night. It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life.
Anyone Can Whistle Cover of the original cast recording. Music Stephen Sondheim Lyrics Stephen Sondheim Book Arthur Laurents Productions 1964 Broadway 1995 Carnegie Hall concert 2010 New York City Center Encores! 2022 Off-West End Anyone Can Whistle is a musical with music and lyrics by Stephen Sondheim, and a book by Arthur Laurents. Described as "a satire on conformity and the insanity of ...
West Side Story is the soundtrack album to the 1961 film West Side Story, featuring music by Leonard Bernstein and lyrics by Stephen Sondheim.Released in 1961, the soundtrack spent 54 weeks at No. 1 on Billboard ' s stereo albums charts, giving it the longest run at No. 1 of any album in history, [2] although some lists instead credit Michael Jackson's Thriller, on the grounds that this run ...
The librettist James Goldman suggested it should be a song about survival that said 'I'm still here.' Sondheim borrowed the phrase for the song title. [2] It is an example of a "list song". Sondheim noted that "the song develops through decades" (p. 181). Stephen Banfield describes it as "a blues song" (p. 183). [3]
The Wire called it Stritch's "signature song", while The New York Times' obituary named it "her theme, until her 70s, when Sondheim's 'I'm Still Here' from Follies took over". [4] The Guardian described Stritch's performance of the song in the 1972 London production: Then Stritch's Joanne gets her solo, "The Ladies Who Lunch", and it's terrifying.
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