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Somali songs are pentatonic.That is, they only use five pitches per octave in contrast to a heptatonic (seven note) scale such as the major scale.At first listen, Somali music might be mistaken for the sounds of nearby regions such as Oromo in Ethiopia, Sudan or the Arabian Peninsula, but it is ultimately recognizable by its own unique tunes and styles.
Sudanese national anthem, performed by the U.S. Navy Band. The rich and varied music of Sudan has traditional, rural, northeastern African roots [1] and also shows Arabic, Western or other African influences, especially on the popular urban music from the early 20th century onwards. Since the establishment of big cities like Khartoum as melting ...
According to ethnomusicologist Christian Poché, the Sudanese style of lyre has been played throughout "Egypt, Sudan, Djibouti, North Yemen, Southern Iraq and the Gulf States." [1] In Sudan, the tanbūra (or tanbur) is also called a rabāba. The North Sudanese version is typically five-stringed with a larger size, while the ones from the South ...
Sub-Saharan African music traditions. Drumming and dancing at Dakawa, Morogoro, Tanzania. In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for ...
Somali women performing a traditional dance Somali singer Fartuun Birimo wearing henna hand and arm designs. Somali art is the artistic culture of the Somali people, both historic and contemporary. These include artistic traditions in pottery, music, architecture, wood carving and other genres.
The Djiboutian Music (Somali: Muusiga Jabuutiyaan, Afar: Gabuutih Gadda) refers to the musical styles, techniques and sounds of Djibouti. The first major form of modern Djiboutian music began in the mid-1940s, when Djibouti was a part of the French Somaliland. Djiboutian music is characterized by poetry, so that listening to a Djiboutian song ...
The origin of dhaanto could be traced back to Gödey Somali region of Ethiopia. The dhaanto dance-song was revived in the early 20th century and it was used to raise the 'spirits' of soldiers and was often sung on horseback. Dhaanto became popular in the Somali Region (Somaali Galbeed) and quickly spread to other Somali territories in the Horn ...
Zenzile Miriam Makeba was said to have been one of the most influential and popular musicians of Africa, beginning in the 1950s. She was a part of three bands, including one all-woman band and two others. She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time.