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Duchamp only made a total of 13 readymades over a period of time of 30 years. [4] He felt that he could only avoid the trap of his own taste by limiting output, though he was aware of the contradiction of avoiding taste, yet also selecting an object. Taste, he felt, whether "good" or "bad", was the "enemy of art". [5]
The art of painter and engraver Émile Frédéric Nicolle, his maternal grandfather, filled the house, and the family liked to play chess, read books, paint, and make music together. Of Eugene and Lucie Duchamp's seven children, one died as an infant and four became successful artists. Marcel Duchamp was the brother of:
Fountain is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt". In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for the inaugural exhibition of the Society of Independent Artists, to be staged at the Grand Central Palace in New York. When explaining the purpose of his ...
L.H.O.O.Q. (French pronunciation: [ɛl aʃ o o ky]) is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made. [2] The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by ...
Found object. A found object (a calque from the French objet trouvé), or found art, [1][2][3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4] Pablo Picasso first publicly utilized the idea when he ...
Readymade sculpture Original is lost Five-Way Portrait of Marcel Duchamp: 1917 Gelatin silver print National Portrait Gallery: Hat Rack (Porte-chapeaux) c. 1917 Readymade sculpture Original is lost [8] Tu m' 1918 Oil on canvas 69.8 x 303 cm Yale University Art Gallery: 50 cc of Paris Air: 1919 Readymade sculpture Philadelphia Museum of Art: L.H ...
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