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Grawlix in a speech bubble. Grawlix (/ ˈɡrɔːlɪks /) or obscenicon is the use of typographical symbols to replace profanity. Mainly used in cartoons and comics, [ 1 ][ 2 ] it is used to get around language restrictions or censorship in publishing. At signs (@), dollar signs ($), number signs (#), ampersands (&), percent signs (%), and ...
The chain thought bubble is the almost universal symbol for thinking in cartoons. It consists of a large, cloud-like bubble containing the text of the thought, with a chain of increasingly smaller circular bubbles leading to the character. Some artists use an elliptical bubble instead of a cloud-shaped one.
Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
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Complex and elaborate graffiti writing had previously been known by various names such as "mechanical letters" and "bubble letters". Its first instances were generated as early as 1970, by legendary writers like RIF, Phase 2, and Stan 153 and the crews that they founded in the early 1970s centred around Manhattan subway lines and surrounds.
Single-bubble sonoluminescence – a single, cavitating bubble. Sonoluminescence is the emission of light from imploding bubbles in a liquid when excited by sound. Sonoluminescence was first discovered in 1934 at the University of Cologne. It occurs when a sound wave of sufficient intensity induces a gaseous cavity within a liquid to collapse ...
New York City, U.S. Michael Lawrence Marrow (August 2, 1955 – December 12, 2019), [1] known as PHASE 2 and Lonny Wood, was an American aerosol paint artist based in New York City. Mostly active in the 1970s, Phase 2 is generally credited with originating the "bubble letter" style of aerosol writing, also known as "softies".
Strachey love letter algorithm. In 1952, Christopher Strachey wrote a combinatory algorithm for the Manchester Mark 1 computer which could create love letters. The poems it generated have been seen as the first work of electronic literature [1] and a queer critique of heteronormative expressions of love. [2] [3] [4]