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Sixteen-bar blues. The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common eight-bar blues. Sixteen-bar blues is also used commonly in ragtime music. [1]
1940–1979 blues. Luther Allison. Billy Boy Arnold. Bobby "Blue" Bland. Clarence "Gatemouth" Brown, 1999. Paul Butterfield at Woodstock Reunion, 1979. Eric Clapton, 2006. Eddie Clearwater in Montreux, 1978. Albert Collins at Long Beach Blues Festival, 1990.
The following list of nicknames of blues musicians complements the existing list of blues musicians by referring to their nicknames, stage names and pseudonyms, thereby helping to clarify possible confusion arising over artists with similar or the same nicknames. The list is arranged in alphabetical order by nickname rather than surname.
Grego Anderson. Jesse Anderson (musician) Little Pink Anderson. Pink Anderson. Sam Andrew. Jake Andrews (guitarist) James Armstrong (musician) Billy Boy Arnold. Kokomo Arnold.
In addition to the lyrical theme, "I'm Ready" incorporates a stop-time sixteen-bar structure analogous to "Hoochie Coochie Man". The song was recorded September 1, 1954, by Waters on vocal and guitar, accompanied by Little Walter on chromatic harmonica, Jimmy Rogers on guitar, Otis Spann on piano, Willie Dixon on bass, and Fred Below on drums.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
Andy Boy – (November 10, 1904 – unknown) Born in Galveston, Texas, Boy was a pianist and songwriter. He was part of the "Santa Fe Group". Doyle Bramhall – (February 17, 1949 – November 12, 2011) Born in Dallas, Texas, Bramhall is strictly a Texas blues musician, a guitarist, drummer and singer who worked with Stevie Ray Vaughan and his ...
Guitarist Buddy Guy performing at the Bonnaroo Music Festival in 2006. Chicago blues is a form of blues music developed in Chicago, Illinois, in the 1950s, in which the basic instrumentation of Delta blues—acoustic guitar and harmonica—is augmented with electric guitar, amplified bass guitar, drums, piano, harmonica played with a microphone and an amplifier, and sometimes saxophone.