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This is intended to be a list of public domain tangos. Argentine law protects copyright for 70 years after the date of the song's publication. Argentine law protects copyright for 70 years after the date of the song's publication.
Pages in category "Tangos" The following 38 pages are in this category, out of 38 total. ... María (Cátulo Castillo song) Mi Buenos Aires querido (song) Mi noche ...
The following month saw versions released by Joe Loss and his Orchestra (vocals by Don Rivers), and Rita Williams. A non-vocal version by Loss was subsequently issued in 1950. [10] In the early 1950s, Mantovani recorded "A media luz" as an instrumental for An Album of Favourite Tangos. It was released as a single in America in 1953. [12]
The song has a great melancholy bridge, offering a quick smoke break from the pulsing beats before signing off with a reggaeton finish, casting a clear picture of what a night out with Benito may ...
Early bandoneón, constructed ca. 1905. Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain, [3] while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. [4]
¡Maria! Tango (Maria! Tango, possibly not composed by Tárrega) La mariposa (The Butterfly) Malagueña fácil (Easy Malagueña) Estudio inspirado de Cramer (Study inspired by Cramer) Las dos hermanitas (The Two Little Sisters) [n 6] Variaciones sobre El Carnaval de Venecia de Paganini (Variations on Paganini's The Carnival of Venice) Lágrima ...
Allegedly written in honour of and taking its title from the nickname of the proprietor of a nightclub, who was known as "El Choclo". It is one of the most popular tangos in Argentina. The song became popular in the United States under the name "Kiss of Fire" after English language words written by Lester Allen and Robert Hill were added to the ...
Osvaldo Pedro Pugliese (December 2, 1905 – July 25, 1995) [1] was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances.