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Beethoven's Piano Concerto No. 3 in C minor, Op. 37 is always thought to have been composed in 1800, although the year of its composition has been questioned by some contemporary musicologists. It was first performed on 5 April 1803, with the composer as soloist. [ 1 ]
0–9. Piano Concerto No. 0 (Beethoven) Piano Concerto No. 1 (Beethoven) Piano Concerto No. 2 (Beethoven) Piano Concerto No. 3 (Beethoven) Piano Concerto No. 4 (Beethoven) Piano Concerto No. 5 (Beethoven) Piano Concerto No. 6 (Beethoven)
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...
Beethoven expanded the formal and emotional scope – not to mention length – of nearly every genre in which he wrote. While he is most famous for his heightening of the symphonic form, Beethoven also had a dramatic influence on the piano sonata, violin sonata, string quartet and piano concerto, among several others.
Beethoven's portrait by Joseph Karl Stieler, 1820. Ludwig van Beethoven (1770–1827) was a German composer in the transition between the classical and romantic period. He composed in many different forms including nine symphonies, five piano concertos, and a violin concerto. [1] Beethoven's method of composition has long been debated among ...
The Symphony No. 3 in E ♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony; German: Eroica, pronounced [eˈʁoːikaː] ⓘ) is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the composer's innovative ...
Beethoven himself played the piano part and the opening solo offers an example of his improvisational style (at the premiere he did, in fact, improvise this section). Beethoven wrote the piece during the second half of December 1808 in an unusually short time by his standards.
Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf of Austria. [1] The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that ...