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Vicente Blasco Ibáñez, in his 1916 novel The Four Horsemen of the Apocalypse (filmed in 1921 and 1962), provides an early example of this interpretation, writing, "The horseman on the white horse was clad in a showy and barbarous attire. . . . While his horse continued galloping, he was bending his bow in order to spread pestilence abroad.
The period involved is from 4000 B. C. to 3000 B. C. "It extends from after the fall of Adam, which according to the Ussher chronology was 4004 B.C., to shortly after the translation of Enoch and his city in 3017 B.C." [22] The white horse is an emblem of victory. The bow is an emblem of war, and the crown is the emblem of a conqueror.
After a great organ passage the first seal is broken, and John describes the appearance of the white horse and its crowned rider. The rider, whom Schmidt interprets as Jesus Christ, announces the Antichrist. [3] He rides as a warrior in righteousness, with his heavenly hosts, to fight in the Name of God.
The marriage between Jesus and his bride, who has prepared herself and clothed in white linen, occurs (Revelation 19:5–10). A "white horse, whose rider is called Faithful and True" is introduced. "With Justice he makes war" (Revelation 19:11). Jesus Christ is the rider mentioned in chapter twelve.
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666 was created as a concept album retelling the story of the Book of Revelation, the Apocalypse of John, [2] the book of the Bible that attacked on the tyranny of the Roman Empire at the time it was written, and the album goes through a number of famous passages and themes, including the Whore of Babylon (), The Beast (), and, in this case, the Four Horsemen of the Apocalypse.
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In a parallel biblical account at Revelation 6, they believe the ride of the symbolic four horsemen began in the same year, and that the first rider on the white horse depicts the Christ. He goes forth to complete his conquest of the earth, while the rule by human leaders continues for a short while until they meet their end at Armageddon by ...