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Memphis blues and country blues guitarist and songwriter. [115] Irene Scruggs (December 7, 1901 – July 20, 1981). Piedmont blues and country blues singer. [116] Alec Seward (March 16, 1902 – May 11, 1972). Piedmont blues and country blues singer, guitarist and songwriter. [117] J.D. Short (February 26, 1902 – October 21, 1962).
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Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) refers to all the acoustic, guitar-driven forms of the blues originating in the southern United States, Pages in category "Country blues singers"
The Waylors, later Waymore's Outlaws, is a country music band, best known as the backing and recording band of country music singer Waylon Jennings.Jennings formed the band in 1961, consisting of Jerry Gropp on the guitar and Richie Albright on the drums after moving to Phoenix, Arizona.
Howlin' Wolf (1910–1976) – blues singer, guitarist, harmonica player ; Cary Hudson – lead singer and guitarist for alternative country band Blue Mountain ; Mississippi John Hurt (c. 1893–1966) – country blues singer and guitarist ; Clifton Hyde (born 1976) – multi-instrumentalist and producer (Hattiesburg)
His band became a proving ground for some of the city's best blues talent, [25] [better source needed] with members of the ensemble going on to successful careers of their own. In 1952, Little Walter left when his single " Juke " became a hit, although he continued working with Muddy long after he left the band, appearing on most of the Muddy's ...
Country blues ran parallel to urban blues, which was popular in cities. [2] Historian Elijah Wald notes many similarities between blues, bluegrass, and country & western styles with roots in the American south. [3] Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences. [4]