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"Cripple Creek" is an Appalachian-style old time tune and folk song, often played on the fiddle or banjo, listed as number 3434 in the Roud Folk Song Index. The lyrics are probably no older than the year 1900, and the tune is of unknown origin.
Banjo Bonanza (1983) — with Bobby Thompson & The Cripple Creek Quartet; Final Chapter (1986) Family and Friends (1989) The Golden Guitar of Don Reno (2000) — previously unreleased recordings made in November 1972 with Bill Harrell and Buck Ryan
He also stages banjo workshops at major music festivals all over the country. [13] Evans also offers several online banjo instruction courses on Peghead Nation. [14] A convocation by Evans "The Banjo in America: A Musical and Cultural History" has been presented in various venues across the country. This convocation traces the history of the ...
Roni Stoneman, a country musician who was known as “first lady of the banjo,” and was seen by millions as a familiar face on television’s “Hee Haw,” has died. She was 85. No cause of ...
Other instruments he plays include the mandolin, 6-string banjo, fiddle, dobro, banjo and viola. [7] He is known for his loose, right-hand guitar technique, which arose out of his mandolin technique. Also well known is his devotion to 12-fret guitars, including Martin 00s, 000s, D18s, D28s, and Gibsons, like his 1929 12-fret Nick Lucas special.
Tanner was born in Thomas Bridge, near Monroe, Georgia.He made a living as a chicken farmer for most of his life. [2] He learned to play the fiddle at the age of 14 and quickly established a reputation as one of the finest musicians in Georgia.
Lily May Ledford (March 17, 1917 – July 14, 1985) was an American clawhammer banjo and fiddle player. [1] After gaining regional radio fame in the late 1930s as head of the Coon Creek Girls, one of the first all-female string bands to appear on radio, Ledford went on to gain national renown as a solo artist during the American folk music revival of the 1960s.
Peabody also developed a special electric banjo—first with Vega, and later with the Fender Company and Rickenbacker—called the Banjoline. It was tuned as a plectrum banjo but with the 3rd and 4th strings doubled in octaves, as on a 12-string guitar. [3] Although seldom performed on today, it is a highly prized collector's item.