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A buffalo coat is a heavy winter garment made from the bison, which also commonly known as the "buffalo" (though not closely related to African or Asian buffaloes). In North America they descended from the simpler, sleeveless buffalo robes worn by the Indigenous peoples of North America prior to their partial replacement by capotes made of ...
A plate showing the uniform of a U.S. Army first sergeant, circa 1858, influenced by the French army. The military uniforms of the Union Army in the American Civil War were widely varied and, due to limitations on supply of wool and other materials, based on availability and cost of materials. [1]
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
A radical change in the full-dress coat occurred in 1827 when a new pattern was introduced that was very similar to the undress coat of the 1812-1825 pattern. Instead of sloping away from the chest, the tails of the coat were now cut away at the waist (like a modern-day civilian tailcoat) and were ordered to be buttoned up at all times.
The buff coat was worn as European military attire from around 1600 through to the 1680s. [3] The origin of the term 'buff' in relation to the coat refers to leather obtained from the "European buffalo" (available sources do not specify what species this term means, but it most probably refers to the wisent), which also gave rise to the term buff for its light tan colour.
Early on, servicemen sometimes wore combinations of uniform pieces, making do with what they could get from captured United States Army soldiers, or from U.S. and Confederate dead or just wear civilian clothing. There are some controversies about some of the exact details of a few of the uniforms since some of the records were lost or destroyed ...
During the first half of the 19th Century, the British Army wore dress coatees in battle against Europeans or Americans, but tended to wear shell jackets on colonial campaigns. However, the shell jacket was discontinued by the British in the 1870s (other than by certain cavalry regiments) in favour of a second, plainer skirted tunic.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
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