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The Edo period (江戸時代, Edo jidai), also known as the Tokugawa period (徳川時代, Tokugawa jidai), is the period between 1600 or 1603 and 1868 [1] in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional daimyo, or feudal lords.
The Tokugawa shogunate, [a] also known as the Edo shogunate, [b] was the military government of Japan during the Edo period from 1603 to 1868. [18] [19] [20]The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate.
Edo period (江戸時代, Edo jidai); dating from 1603 to 1868, the period when Japanese society was under the rule of the Tokugawa shogunate; E-hon (絵本); "picture book" Egoyomi (盲暦); a picture calendar; Fudezaishiki (筆彩色); colouring with a paintbrush
Edo society refers to the society of Japan under the rule of the Tokugawa Shogunate during the Edo period from 1603 to 1868. Edo society was a feudal society with strict social stratification , customs, and regulations intended to promote political stability .
Tokugawa Ieyasu [a] [b] (born Matsudaira Takechiyo; [c] January 31, 1543 – June 1, 1616) was the founder and first shōgun of the Tokugawa shogunate of Japan, which ruled from 1603 until the Meiji Restoration in 1868.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
The Tokugawa period began when the Imperial Court appointed Ieyasu shōgun in 1603, starting the Tokugawa shogunate. [23] Japan's imperial seat and official capital remained in Kyoto, but the Emperor was virtually powerless; Ieyasu was the effective ruler of Japan, and Edo became powerful as the capital. [20] [28] [29]
A bound album in ōban tate-e format was conceived and assembled by the publisher, Matsuki Heikichi, under the title of "Kyōdō risshiki" [Self-made Men Worthy of Emulation/Exemplars of Learning and Achievement] containing 50 prints (though 53 are known) by various artists [28] including Chikanobu who produced two of the images: #16 Hagaku and ...