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For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
Circle of fifths showing major and minor keys In music theory , the circle of fifths (sometimes also cycle of fifths ) is a way of organizing pitches as a sequence of perfect fifths . Starting on a C, and using the standard system of tuning for Western music ( 12-tone equal temperament ), the sequence is: C, G, D, A, E, B, F ♯ /G ♭ , C ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Going counter-clockwise from C results in lowering the fourth scale degree with each successive key (starting on F requires a B ♭ to form a major scale). Each major key has a relative minor key that shares the same key signature. The relative minor is always a minor third lower than its relative major.
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"The Trumpet Shall Sound" and the "Hallelujah" chorus from Handel's Messiah, and his coronation anthem Zadok the Priest are in D major. In addition, Bach's Mass in B minor has D major as the relative major, and most of the major choruses in this key (Gloria, Cum Sancto Spiritu, Sanctus, Hosanna) make extensive use of trumpets.
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
The 'major' alteration is usually superfluous, as a key description missing an alteration is invariably assumed to be major. In the German notation scheme, a hyphen is added between the pitch and the alteration (D-Dur). In German, Dutch, and Lithuanian, the minor key signatures are written with a lower case letter (d-Moll, d klein, d kleine terts).