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Two of the issues were 28- and 32-page free guides to the Western Front music and art festival in San Francisco for 1979 and 1980. [1] Damage covered the punk scene in Northern and Southern California, as well as international developments. [2] OP magazine called it "one of the best new wave publications". [3]
British punk fanzines from the 1970s. A punk zine (or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Punk zines" The following 38 pages are in this category, out of 38 total.
Slug and Lettuce is a free newsprint punk zine started in State College, Pennsylvania by Christine Boarts in 1987. In 1989 CBL and S&L relocated to New York City where the zine's print run steadily grew and increased to 10,000 with free worldwide distribution. In 1997, CBL and S&L relocated to Richmond, Virginia. [1]
Slash was a punk rock-related fanzine published by Steve Samiof and Melanie Nissen in the United States from 1977 to 1980. The magazine was a large-format tabloid focused on the Los Angeles punk scene. [1] The fanzine also gave birth to Slash Records, an important punk record label.
J.D.s zines as a part of the wider queercore movement was an offspring of the musical punk rock scene and reflected anti-corporate ideologies, visuals, and textual choices. [16] Fanzines such as the Homocore series took influence from the punk and GLBTQ subcultures and credited the wider queercore movement with inspiring them to begin publishing.
Flipside, known as Los Angeles Flipside Fanzine, was a punk zine published in Whittier and Pasadena, California, from 1977 to 2002.The magazine was associated with its own record label, Flipside Records, releasing vinyl records and compact discs beginning in 1978.
In addition to a free flexi disc promoting two or three up-and-coming punk bands, 1980s issues featured cartoon strips and two innovative colour covers by Michael J. Weller. 1970s issues featured the cartoon strip 'Hitler's Kids', authored by Andrew Marr using punk nom-de-plume "Willie D" at the beginning of his successful journalistic career. [1]