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This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
Sunset Song is a 1932 novel by Scottish writer Lewis Grassic Gibbon. It is considered one of the most important Scottish novels of the 20th century. It is the first part of the trilogy A Scots Quair. There have been several adaptations, including a 1971 television series by BBC Scotland, a 2015 film version, and some stage versions.
Between Here and Gone is the eighth studio album by American singer-songwriter Mary Chapin Carpenter, released by Columbia Nashville on April 27, 2004. It reached No. 5 on Billboard's Top Country Albums chart, although the album itself produced no chart singles.
Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the same year Buffalo Springfield had become the house band at the ...
"Mikazuki Sunset" is a song in verse–chorus form, recorded in common time with a major key of D♭ and minor key of B♭ and lasting for three minutes and forty-four seconds. [10] [11] The song begins with an instrumental intro with a chord progression of G♭maj 7 -A♭ 6 -B♭m, featuring a bassline, guitars and keyboards. [10]
"Sunset (Bird of Prey)" is a song by English musician Fatboy Slim from his third studio album, Halfway Between the Gutter and the Stars (2000). The song samples Jim Morrison's vocals from the Doors song "Bird of Prey." Released on 16 October 2000, the single peaked at No. 9 in the United Kingdom, No. 20 in Norway, and No. 25 in Ireland.
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The album begins with "Pretty Places", [9] a "vintage" sounding song with a "unique, modern twist". [10] The lyrical content of the song "embodies the feeling of driving down the Pacific Coast Highway on a dreamy evening, watching the sunset and sticking your head out the window to feel the warm air". [10]