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New technology, primarily computer systems and computer technology, have enabled a new class of interactive art. [15] Examples of such interactive art are installation art, interactive architecture, interactive film, and interactive storytelling. Since there is a presumed participant or agent in interactivity, interactive art has a deep ...
This is an image from the artist Camille Utterback. Examples of her work include Text Rain (1999), [1] [2] created in collaboration with Romy Achituv, in which participants use their bodies to lift and play with falling letters projected on a wall, and Shifting Times (2007), [3] a public installation in San Jose, California that creates interactive projects based on the movements of pedestrians.
There are several kinds of interactive installations that artists produce, these include web-based installations (e.g., Telegarden), gallery-based installations, digital-based installations, electronic-based installations, mobile-based installations, etc. Interactive installations appeared mostly at end of the 1980s (Legible City by Jeffrey ...
Fathom is designed to be fully interactive. According to co-founder Tyler FuQua, visitors receive clipboards to engage in "research" that includes a scavenger hunt within the space. Unlike traditional art exhibits, where touching is often prohibited, Fathom encourages tactile exploration of its installations. [3]
Jen Lewin is an American interactive artist and engineer. She is based in New York City and specializes in large scale installations in public spaces, usually combining elements such as light, sound and complex engineering.
Emilia Telese (born in Sarno, Italy,1973) is an Italian artist whose practice includes performance, visual, site-specific and video art, interactive and body-responsive technology, installation, literature and public art. She lives and works between Brighton, UK, Foggia, Italy, and Reykjavik, Iceland.
Wands, Bruce Art of the Digital Age, Thames and Hudson 2006, pp. 89, 139, ISBN 0500286299 | ISBN 978-0500286296; Weibel, Peter and Shaw, Jeffrey, Future Cinema, MIT Press 2003, pp. 472,572-581, ISBN 0-262-69286-4; Wilson, Steve Information Arts: Intersections of Art, Science, and Technology ISBN 0-262-23209-X
The unique installation is yet another example of how the role of digital technology is taking audience participation, response and interaction to the next level within the world of art. The audience's response becomes a crucial part of the installation, as the rainfall responds to their reactions through motorised mirrors, and in this way the ...
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