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As he wrote The Eolian Harp to commemorate coming to his home at Clevedon, Coleridge composed Reflections on Having Left a Place of Retirement on leaving it. [3] The poem was not included in Coleridge's 1796 collection of poems as it was probably still incomplete, but it was published in the October 1796 Monthly Magazine [4] under the title ...
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
The tone and language of the poem is influenced by William Bowles's poetry; it differs from 18th-century poetic conventions and connects the style of the poem to many of Coleridge's other poems of the time, including "To the Autumnal Moon", "Pain", "On Receiving an Account that his only Sister's Death was Inevitable" and "To the River Otter". [12]
Rudyard Kipling returned to Simla for his annual leave each year from 1885 to 1888, and the town featured prominently in many stories he wrote for the Gazette. [4] "My month's leave at Simla, or whatever Hill Station my people went to, was pure joy – every golden hour counted. It began in heat and discomfort, by rail and road.
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
A former student of Nikki Giovanni's recalls the fateful day when the poet and activist convinced him he was an artist. Then came the shocking mass shooting at Virginia Tech.
During her stay in Greenwich Village, Millay learned to use her poetry for her feminist activism. She often went into detail about topics others found taboo, such as a wife leaving her husband in the middle of the night. [16] Millay's 1920 collection A Few Figs From Thistles drew controversy for its exploration of female sexuality and feminism ...