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"Red Dirt Road" serves a summation of small-town values and the experiences that shape you. The song was a domestic chart-topper; it scored the duo their eighteenth number one hit on Billboard ' s Hot Country Songs ranking; it was also a top-25 single on the all-genre Hot 100, and ranked as one of its top overall hits for 2003. [1]
Alsongs is an extensive collection of Weird Al lyrics. The Not Al Page attempts to list tracks which are often wrongly attributed to Weird Al and discover their true origins. "Weird Al" Yankovic Songography is a comprehensive list of Weird Al songs and their availability. Weird Facts
Red Dirt Road is the eighth studio album by American country music duo Brooks & Dunn, released in 2003 on Arista Nashville.Certified platinum for sales of one million copies in the U.S., the album produced three top ten singles: "Red Dirt Road" (#1 on the Hot Country Songs chart), "You Can't Take the Honky-Tonk out of the Girl" (#3) and "That's What She Gets for Lovin' Me" (#6).
"Weird Al" Yankovic is the debut studio album by the American parody musician "Weird Al" Yankovic. The album was the first of many produced by former The McCoys guitarist Rick Derringer . Mostly recorded in March 1982, the album was released by Rock 'n Roll Records as an LP and on Compact Cassette in 1983.
The Weird Al Star Fund was a campaign started by Yankovic's fans to get him a star on the Hollywood Walk of Fame. Their mission was to "solicit, collect, and raise the necessary money, and to compile the information needed for the application to nominate "Weird Al" Yankovic for a star on the Hollywood Walk of Fame". [227]
Thus, the song is an excruciatingly detailed narrative about a couple going to a drive-thru, which was "the most banal thing [Yankovic] could think of at the time." [4] [11] Because the song was three times the length of a normal song, legally, Yankovic would have been required to pay thrice the statutory rate for royalties. This in turn would ...
The accordion was used as the primary instrument in the score, played by Cory Pesaturo.On using an accordion for the themes, Robinson explained that the process was "insanely difficult" as the player needs to know the aspects of an accordion and piano, and put them while constantly bellowing, as "that's what makes the sound, is the air being pushed out through these reeds that are in it ...
Yankovic recorded the song as one of the last on Mandatory Fun, and received Williams' approval directly, through email. He remarked he was "honored" to have his work spoofed by Yankovic. [1] The song's one-shot music video parodies "Happy", and was the first in a series of eight videos released over eight days in promotion of Mandatory Fun.