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This subgenre is common among role-playing games, text-based roleplaying, and high-fantasy literature. Wuxia – distinct quasi-fantasy subgenre of the martial arts genre. Juvenile fantasy – children's literature with fantasy elements: fantasy intended for readers not yet adult. The protagonists are usually children or teens who have unique ...
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
[3] [4] A market for children's fantasy was established in Britain in the 19th century, [5] leading to works such as Lewis Carroll's Alice in Wonderland and Edith Nesbit's Five Children series; [6] the genre also developed in America, exemplified by L. Frank Baum's The Wonderful Wizard of Oz. [7]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures. [1] [2]Its roots are in oral traditions, which became fantasy literature and drama.
Mythic fiction is literature that draws from the tropes, themes, and symbolism of myth, legend, folklore, and fairy tales.It is usually set in the real world and deals with realistic issues, but a mythic atmosphere prevails; however, not all mythic fiction is fantasy, and the fantastic component is not always blatant.
A sexual fantasy is exactly what it sounds like—a mental image or dreamed-up situation that turns you on. Some might be acted out, while others may solely be for your own imaginative safe-keeping.
J. R. R. Tolkien was a professional philologist and an author of fantasy fiction, starting with the children's book The Hobbit in 1937. The Andrew Lang Lecture was important as it brought him to clarify his view of fairy stories as a legitimate literary genre, rather than something intended exclusively for children. [2]