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Between Medieval Men: Male Friendship and Desire in Early Medieval English Literature. Oxford: Oxford University Press, 2009. Cook, Matt, with Robert Mills, Randolph Trumbach, and H. G. Cocks. A Gay History of Britain: Love and Sex Between Men Since the Middle Ages. Oxford: Greenwood, 2007. ISBN 978-1846450020; Crompton, Louis.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument. [1] Among the most famous of secular poetry is Carmina Burana, a manuscript collection of 254 poems.
Courtly love (Occitan: fin'amor; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love".
The centuries-old token would have been worn like a pendant or directly attached to clothes, archaeologists said.
Later medieval examples tend to be more detailed and less generic than early ones, and to place an increasing emphasis on secular over religious aspects. For example, Bonvesin della Riva 's 1288 description of Milan, De Magnalibus Urbis Mediolani , contains a wealth of detailed facts and statistics about such matters as local crops.
The loathly lady (Welsh: dynes gas, Motif D732 in Stith Thompson's motif index), is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. [1] The motif is that of a woman who appears unattractive (ugly, loathly ) but undergoes a transformation upon being approached by a man in spite of ...
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe.They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest.
The focus, however, is on English works: the poems of Chaucer, Gower's Confessio Amantis and Usk's Testament of Love, the works of Chaucer's epigones, and Spenser's Faerie Queene. The book is ornamented with quotations from poems in many languages, including Classical and Medieval Latin, Middle English, and Old French. The piquant English ...