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  2. Pier glass - Wikipedia

    en.wikipedia.org/wiki/Pier_glass

    Large 18th-century Rococo pier glass in the Amalienburg Pavilion, Schloss Nymphenburg. A trumeau mirror is a type of wall mirror originally manufactured in France in the later 18th century. It takes its name from the French word trumeau, which designates the space between windows. Such a mirror, usually rectangular, could also hang above an ...

  3. English Gothic stained glass windows - Wikipedia

    en.wikipedia.org/wiki/English_Gothic_stained...

    English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.

  4. Tracery - Wikipedia

    en.wikipedia.org/wiki/Tracery

    Because large lancet windows, such as those lighting the aisles of a church, may be wide in comparison to a single light in a traceried window, they often have armatures of wood or iron to support the glass. The arch of a lancet opening is often equilateral, but sometimes is much more acute, and when employed in the arcade of a choir apse, such ...

  5. Jalousie window - Wikipedia

    en.wikipedia.org/wiki/Jalousie_window

    A jalousie window (UK: / ˈ dʒ æ l ʊ z iː /, US: / ˈ dʒ æ l ə s iː /), louvred window (Australia, New Zealand, Pacific Islands, Southeast Asia, United Kingdom), jalousie, or jalosy [1] is a window composed of parallel glass, acrylic, or wooden louvres set in a frame. The louvres are joined onto a track so that they may be tilted open ...

  6. French Gothic stained glass windows - Wikipedia

    en.wikipedia.org/wiki/French_Gothic_stained...

    The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [21] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.

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