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In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges. Stainless steel guitar frets may never need dressing, because of the density of the material. [2] Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning.
Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
Fret buzz occurs when the vibrating part of one or more strings physically strikes the frets that are higher than the fretted note (or open note). This causes a "buzzing" sound on the guitar that can range from a small annoyance, to severe enough to dampen the note and greatly reduce sustain .
Double truss rod neck, Rickenbacker guitar Neck-through construction on Ibanez studio guitar Neck joint with a four-screw plate on a Yamaha Pacifica 112 electric guitar. The neck of a guitar includes the guitar's frets, fretboard, tuners, headstock, and truss rod. The wood used to make the fretboard will usually differ from the wood in the rest ...
Spring clamp capo A guitar capo with a lever-operated over-centre locking action clamp Demonstrating the peg removal feature on an Adagio guitar capo. A capo (/ ˈ k eɪ p oʊ ˌ k æ-ˌ k ɑː-/ KAY-poh, KAH-; short for capodastro, capo tasto or capotasto [ˌkapoˈtasto], Italian for "head of fretboard") [a] is a device a musician uses on the neck of a stringed (typically fretted) instrument ...
Neck-through-body (commonly neck-thru or neck-through) is a method of electric guitar construction that combines the instrument's neck and core of its body into a single unit. This may be made of a solid piece of wood, or two or more laminated together. The strings, nut, fretboard, pickups and bridge are all mounted on this central core ...
The guitar is rear routed with a pickguard, and features active pickups, an EMG 81 in the bridge pickup position and an EMG 60 in the neck position. Root modeled the neck after a Jackson/Charvel style neck. It is a maple neck with either a maple fretboard or an ebony fretboard. It has a 12" (305mm) radius and Dunlop jumbo frets. The neck is ...
Bond Electraglide Tremolo. The Bond Electraglide was a solid body carbon fibre electric guitar manufactured by the Bond Guitar Company from 1984 to 1986. The Electraglide is visually styled on the Gibson Melody Maker (with the 1962–onwards double cut-away), with a unique stepped anodized aluminum fingerboard instead of traditional frets.