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The mask is then handed down through generations with each new wearer adding adornments. According to the We, as each generation adds to the mask, it grows in ritual significance and power. The individual honored with wearing the mask traditionally wears an oversized skirt made of raffia fronds and may carry a ceremonial staff.
A soldier applying a disruptive pattern to his face; his helmet and jacket are both disruptively patterned Disruptive coloration is common in military usage, for military vehicles, for firing positions and other installations, and for individual soldiers, where uniforms, equipment such as helmets, and face paint may be used to break up outlines ...
One issue with using an asymmetrical mask is it can attract attention for the odd appearance. CNN said, "The resulting disguises look like amorphous, colorful blobs". [3] People have also utilized "anti-facial-recognition face paint" to fool the technology. [6] A mask can also be created with less technology, by using only a face mask and ...
Gebande is the most sacred examples of Dan masks while Genome is a lower rank of masks. [4] [5] The classifications relate to the content which the Dan attribute to the mask, rather than the appearance of the mask. Gebande masks can be divided into a series of subgroups and categories: Subgroups: Singers’ masks; Dancers’ masks; Storytellers ...
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Another common subject of African masks is a woman's face, usually based on a specific culture's ideal of feminine beauty. Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17]
Most masks are scaled to fit the human face, with dancers looking out through slits just above the painted eyes. [9] The smallest masks measure between ten and fifteen centimeters wide with the rest of the face, including the mouth, covered by cloth. [46] Other masks are much larger than the face, with the wearer looking out the mouth of the mask.
A Spanish observer at the wedding of Mary I of England and Philip of Spain in 1554 mentioned that women in London wore masks, antifaces, or veils when walking outside. [5] [6] Masks became more common in England in the 1570s, leading Emanuel van Meteren to write that "ladies of distinction have lately learned to cover their faces with silken masks and vizards and feathers".
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