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With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
St John the Baptist wears his iconographical clothes, but the sainted English kings Edward the Confessor and Edmund the Martyr are in contemporary royal dress. The Wilton Diptych 1395–99. Wool was the most important material for clothing, due to its numerous favourable qualities, such as the ability to take dye and its being a good insulator. [5]
England exported almost no cloth at all in 1347, but by 1400 around 40,000 cloths [nb 3] a year were being exported – the trade reached its first peak in 1447 when exports reached 60,000. [106] Trade fell slightly during the serious depression of the mid-15th century, but picked up again and reached 130,000 cloths a year by the 1540s. [ 106 ]
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485.. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierar
England exported almost no cloth at all in 1347, but by 1400 around 40,000 cloths [nb 3] a year were being exported – the trade reached its first peak in 1447 when exports reached 60,000. [32] Trade fell slightly during the serious depression of the mid-15th century, but picked up again and reached 130,000 cloths a year by the 1540s. [ 32 ]
Since at least the early Middle Ages, robes have been worn as a sign of nobility.At first, these seem to have been bestowed on individuals by the monarch or feudal lord as a sign of special recognition; but in the 15th century the use of robes became formalised, with peers all wearing robes of the same design, though varied according to the rank of the wearer.
Alternative names are clothier, which tended to refer more to someone engaged in production and the sale of cloth, whereas a cloth merchant would be more concerned with distribution, including overseas trade, or haberdasher, who were merchants in sewn and fine fabrics (e.g. silk) and in London, members of the Haberdashers' Company.
While most items of clothing, especially outside the wealthier classes, remained by comparison little changed from three or four centuries earlier, [2]: 39 the more tightly shaped cuts that had been introduced in the preceding century continued to evolve in commoners' fashion [3] too, with the imitation of nobles' clothing beginning among the ...
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