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A common motif used in clothing and other arts products is the dragon playing with flaming pearls (or balls [34]: 8 ), which appeared during the second half of the first 1st millennium AD. [1] The flaming ball or ball represents either the sun or the moon; it is sometimes referred as the "day or night shining pearl". [34]: 8
In Sumba, this male-female dynamic is encapsulated in the notion of the Highest Being, who is both the Father Sun and Mother Moon, as well as the Creator or Weaver of human life. The Sumbanese believe individuals are able to acquire the special powers and qualities of certain creatures when textiles displaying such motifs are worn. [3]
The yunjian motif was popular in the Yuan dynasty and became a signature motif on both men's and women's clothing and could also be found on both ceramic and metal work. [ 1 ] : 52, 79 In the Yuan dynasty painting Khubilai Khan Hunting , Empress Chabi is depicted wearing a white robe which is decorated with a cloud-collar motif on her chest and ...
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Fila is mostly decorated with hand painted stripes as its primary motif and zig-zag designs symbolic of the leopard. [2] To preserve fila's traditional characteristics, Korhogo cloth producers continued to use hand spun cotton strips woven by their Dyula neighbors. However, unlike fila, Korhogo cloth quickly became the canvas onto which cloth ...
The women's clothing in the early Tang dynasty were quite similar to the clothing in the Sui dynasty; the upper garment was a short-sleeved short jacket with a low-cut; the lower garment was a tight-fitting skirt which was tied generally above the waist, but sometimes as high as the armpits, and a scarf was wrapped around the shoulders.
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