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Sigma 60mm F2.8 DN Art lens is a standard prime lens for Sony E and Micro Four-Thirds mounts, announced by Sigma on January 29, 2013. [1] It was only the third interchangeable lens brought to market by Sigma for a digital mirrorless camera, and the second time doing so (the first two lenses were released together in January 2012).
The Sigma 19mm F2.8 EX DN lens is a wide-angle prime lens for Sony E and Micro Four-Thirds mounts, announced by Sigma in January 2012. Along with the Sigma 30mm F2.8 EX DN, it was part of the first release of Sigma lenses for compact interchangeable lens cameras, and hence the inception of the "DN" line, created by Sigma to cater to these cameras, [1] an offering that in January 2013 was ...
The Sigma 30mm F2.8 EX DN is a standard prime lens for Sony E and Micro Four-Thirds mounts, announced by Sigma in January 2012. Along with the Sigma 19mm F2.8 EX DN, it was part of the first release of Sigma lenses for compact interchangeable lens cameras, and hence the inception of the "DN" line, created by Sigma to cater to these cameras, [1] an offering that in January 2013 was expanded ...
The Canon EF-S 10–22mm f / 3.5–4.5 USM lens is a wide to ultra-wide angle zoom lens for Canon digital single-lens reflex cameras with a Canon EF-S lens mount. [1] The field of view has a 35 mm equivalent focal length of 16–35mm, which is analogous to the EF 16–35mm f / 2.8L on a full-frame camera. The 10–22mm is an internal focusing lens.
Such lenses are frequently used in architectural photography to control perspective, and in landscape photography to get an entire scene sharp. Some photographers have popularized the use of tilt for selective focus in applications such as portrait photography. The selective focus that can be achieved by tilting the plane of focus is often ...
The depth of field, and thus hyperfocal distance, changes with the focal length as well as the f-stop. This lens is set to the hyperfocal distance for f /32 at a focal length of 100 mm. In optics and photography, hyperfocal distance is a distance from a lens beyond which all objects can be brought into an "acceptable" focus.
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