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Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through the use of language, writing style, and verse structure.
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. [2]
He declared his love for her before leaving to live in Europe in 1914, but he did not believe his feelings to be reciprocated. [8] [9] Her influence is felt in The Waste Land, and he would renew his correspondence with her in 1927. [10] [11] Vivienne Eliot [B] in 1921
Vivienne Haigh-Wood Eliot (also Vivien, born Vivienne Haigh; 28 May 1888 – 22 January 1947) was the first wife of American-British poet T. S. Eliot, whom she married in 1915, less than three months after their introduction by mutual friends, when Vivienne was a governess in Cambridge and Eliot was studying at Oxford.
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.
The 1948 Nobel Prize in Literature was awarded to British-American poet Thomas Stearns Eliot (pen name, T. S. Eliot) (1888–1965) "for his outstanding, pioneer contribution to present-day poetry." [1] Eliot is the fourth British (born in the United States) recipient of the prize after John Galsworthy in 1932.
A public fundraiser has garnered more than $50,000 in funds for Luigi Mangione’s legal defense as of Thursday afternoon, online records show.
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]