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In the 1980s, diss tracks began to feature prominently in the hip-hop genre. The first known hip-hop feud (or "beef") was the Roxanne Wars. [24] The Roxanne Wars began in 1984 when Roxanne Shanté and Marley Marl released the song "Roxanne's Revenge", a diss track aimed at the trio U.T.F.O. "Roxanne's Revenge" was a quick success, leading U.T.F.O. to compose a response: they joined forces with ...
These diss tracks are known for their distribution via the YouTube platform, often because they were made by YouTubers.Although created by entertainers outside of the traditional music industry, these songs found significant audiences, RIAA certifications, and news coverage outside the platform.
F. Facts (Kanye West song) Fake Woke; False Prophets (song) Family Matters (song) Famous (Kanye West song) Fear of Heights (song) Flatline (B.o.B song)
Diss tracks in hip hop are getting a lot of hype in 2024. Big names like Kendrick Lamar, Drake, and Megan Thee Stallion are igniting an online frenzy with their lyrical jabs.
"BBL Drizzy" (released as the file name "BBL DRIZZY BPM 150.mp3") is a "diss track beat" by American record producer Metro Boomin. It was released on May 5, 2024 in response to the Drake–Kendrick Lamar feud which consisted of multiple diss tracks from both sides.
"6:16 in LA" is a diss track written and recorded by American rapper Kendrick Lamar. As part of the Kendrick-Drake feud, it is the second response track to Canadian rapper Drake's single "Push Ups" and his independently released song "Taylor Made Freestyle".
Barstool Sports’ Dave Portnoy and Josh Richards dragged Zach Bryan through the mud with their “Smallest Man” diss track — and used the country singer’s own songs to do it. On Wednesday ...
"Mia Khalifa" (originally titled "Mia Khalifa (Diss)", also known as "Hit or Miss", and sometimes stylized as "MiA KHALiFA") is a song by American hip hop group iLoveFriday (stylized as iLOVEFRiDAY). The duo of Atlanta-based rappers Aqsa Malik (also known as Smoke Hijabi) and Xeno Carr self-released the song on February 12, 2018, which was later re-released by Records Co and Columbia
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